I am making a documentary film about the events that took place in January 1990, using an extraordinary archive of material that was filmed by Laurentiu Calciu, who got a video camera just after the revolution. We have some fascinating material of ordinary people on the streets furiously debating about all things political, social and economic. The material is filmed with a patience that gives an insight into what people were thinking just after Ceausescu fell.
The first thing one must do when making a documentary film is to research the subject. This involves watching any existing films as well as footage (unedited (more…)
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Preparing for disasters is an industry and also an attitude. There are lots of professionals flying around the world advising governments how to prepare for earthquakes, floods and natural disasters; thousands of humanitarian aid agencies rush in when disaster strikes and there are public officials everywhere whose job is to prepare the public for the worst — not to mention firemen, policemen, medical workers and soldiers who invariably form the front line of any disaster relief efforts. I have some experience of this profession.
I got ridden to Laurentiu’s house in the dark on a road through the centre of Bucharest, a road that is usually crowded but at that moment was deserted because it was the middle of the night; Laurentiu appeared in his pajamas and handed over a disk, a memory stick, said farewell and we were off — but only for a bit as time was pressing and I got folded up and put in the back of a taxi as my Master feared we wouldn’t make it on time, and his fears were probably justified as it is rather a long way to the airport.
Last Christmas I bought myself an 80 megabyte iPod. This was a bit of a cheat considering it cost more than the presents I got for my loved ones, but I bought it through the company and justified it that way. Although iPods look amazing they are a pain in the butt because in order to use them you must download iTunes, Apple’s software, and this takes up 80 megabytes. And iTunes has its own way of organising your music, which I have still failed to understand, and this bugs me as I spent a long time thinking up a good filing system for my music. 
Making films is probably the most boring profession in the world — as well as the most glamorous. They say making films is like going to war: lots of hanging around while not knowing what the hell is going on; and then a sudden, brief, unsatisfactory burst of action.
In Romania, as in every country, there are stereotypes about which places are worth visiting. If I tell people I am from Scotland many say they would love to visit Edinburgh but it is rare you hear people saying they want to see Glasgow, which is a more interesting city in many ways. When I travelled round India (20 years ago) everyone said I should avoid Calcutta (now Kalkota) as it is just a vast sprawling slum full of insolent Bengalis. But I found it to be the most compelling place in India.
I am sitting in a Ministry of Culture seminar about film making and it has all the hallmarks of a rotten event: a huge queue at the registry desk (but nobody saying hello), nowhere for coats, coffee servers arguing among themselves, an electrical fault that the secretary of state loudly complains about, doors that squeak horribly every time someone comes in (and there was a constant flow of latecomers), a loud buzzing noise from the speakers and technical problems with the presentations.
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